{"id":591,"date":"2015-09-17T10:28:31","date_gmt":"2015-09-17T10:28:31","guid":{"rendered":"http:\/\/www.seeingsound.be\/?page_id=591"},"modified":"2015-12-03T19:45:23","modified_gmt":"2015-12-03T19:45:23","slug":"vocabulary","status":"publish","type":"page","link":"https:\/\/www.seeingsound.be\/?page_id=591","title":{"rendered":"Vocabulary"},"content":{"rendered":"

\"seeingsound_vocabularium2\"<\/a><\/p>\n

We are developing an intermediary language that can be used by filmmakers and composers who want to collaborate in an equal, co-creative way. The vocabulary is continuously expanding and being adapted based on new observations. For the moment it consists of the following terms and categories:\n<\/p>\n\n\n\n\n\n\n\n
\n
\n

Category<\/p>\n

\n<\/th>\n		\n
\n

Terms<\/p>\n

\n<\/th>\n		\n
\n

Description<\/p>\n

\n<\/th>\n<\/tr>\n
Relationships between characters<\/td>\n\nTerms in this category denote a relationship between characters, which is an important element in the creation of (narrative) conflict and the distribution of suspense. <\/td>\n<\/tr>\n
Artistic approach<\/td>\n\nTerms in this category refer to a general artistic approach and a relationship between the artist and his\/her material. <\/td>\n<\/tr>\n
Temporal structure<\/td>\n\nTerms in this category refer to choices that have to be made regarding the organisation of events in a temporal structure. While in a classical, script-based approach this is often done according to the principles of narratology, in this context new terminology has to be explored. <\/td>\n<\/tr>\n
Common terms<\/td>\n\nTerms in this category refer to jargon-neutral words or concepts that both filmmakers and musical composers have an (intuitive) understanding of, and easily know how to translate to their respective practices. <\/td>\n<\/tr>\n
\n
\n<\/td>\n<\/tr>\n<\/table>\n

We want to stress that this vocabulary should be used in a non-normative way. It can inspire students and provide them with elements to reflect upon, but it is not presented as a set of terms that must<\/em> be used. If students consider other terms more convenient, they are free to use these. In the first session we give an introduction to the vocabulary<\/a> and how it can be applied.<\/p>\n

\"seeingsound_vocabularium\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

We are developing an intermediary language that can be used by filmmakers and composers who want to collaborate in an equal, co-creative way. The vocabulary is continuously expanding and being adapted based on new observations. For the moment it consists of the following terms and categories: Category Terms Description Relationships between characters Contrast Dance Shadow […]<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-591","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/pages\/591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=591"}],"version-history":[{"count":27,"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/pages\/591\/revisions"}],"predecessor-version":[{"id":959,"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=\/wp\/v2\/pages\/591\/revisions\/959"}],"wp:attachment":[{"href":"https:\/\/www.seeingsound.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}